I use abandoned photographs to distort history.  The real history of my photographs, has been discarded by there previous owner
for whatever reason. What was once a document of time or a cherished memory now becomes a whole new twisted story.

Encaustic paint, collage and assembalage suit me best.  The idea of nature verses nurture and the absurity of human nature
have always peaked my interest.  Using motifs inherent to biology and psychology and a heavy use of ephemera, I create a dialog
about the mundane, to that of the arousing. The ensuing images end up being humorous and sardonic.  Each, with a title that adds
context and reflects my personality and perversity.


                                                                                                     

 

 

I use abandoned photographs to distort history.  The real history of my photographs, has been discarded by there previous owner
for whatever reason. What was once a document of time or a cherished memory now becomes a whole new twisted story.

Encaustic paint, collage and assembalage suit me best.  The idea of nature verses nurture and the absurity of human nature
have always peaked my interest.  Using motifs inherent to biology and psychology and a heavy use of ephemera, I create a dialog
about the mundane, to that of the arousing. The ensuing images end up being humorous and sardonic.  Each, with a title that adds
context and reflects my personality and perversity.


                                                                                                     

 

 

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SEVEN DEADLY TWINS
IDIOM SERIES
MISFITS